Tuesday, December 4, 2012

Scholars to discuss globalizing folklore



Books focusing on folk culture of North Chungcheong Province
/ Courtesy of National Folk Museum of Korea

Jecheon  host Korean Folklorist Conference last Oct. 26-27



Globalization is a modern mantra in almost every field and folklore is no exception.

In the 21st century, the world is facing a polarized phenomenon between globalization and localization. To narrow that gap, Korean folklorists who keep track of traditions and past cultures are trying to confront globalization, albeit belatedly, as their main agenda in the “2012 Korean Folklorist Conference.”

Organized by the National Folk Museum of Korea, the conference  held on Oct. 26 and 27 in Jecheon, North Chungcheong Province, to mark the “Year of North Chungcheong Province’s Folklore.”

It is nothing new that various international cultures are seen in Korea while Korean culture can be found in other parts of the world.



However, for a long time folklorists have failed to respond swiftly to the era of globalization as they have been bent on only collecting and documenting resources within their own boundaries. Although their collections and records have been highly appreciated, a lack of explanation and analysis has limited their studies.

On this occasion, Korean folklorists will discuss the challenges and prospects of their studies in terms of globalization.

Im Jae-hae, a professor at Andong University, said in a press release that the future of folklore in the era of globalization lies in the efforts of scholars to break the boundaries of their studies and inspire more creative spirits.

Among others, Lee Joung-jae, a professor at Kyung Hee University, will focus on the role of Korean shamans who are venturing abroad.



“Currently, there are many Korean shamans who are now serving in other countries. Through their experiences, we should look at their status as modern society is complicated and the future is becoming murkier, particularly in these financially-difficult times,” Lee wrote in his research.

“Encountering the neo-shamanism of Western culture is very important for the globalization of Korean shamanism. Korean shamanism is hardly known in Western countries where people mostly associate shamanism with Siberians and Native Americans. To remove the bias against superstitious behavior, Korean shamanism should focus on the healing of spirits.”

Korea University professor Lee Tae-hwa will deal with “pansori” (traditional Korean vocal and percussional music) in the multimedia era. “To boost the popularity of pansori, we should utilize multimedia to connect modern audiences with traditional genres,”said Lee.

Kim Hee-sun, a professor at Kookmin University, raised the issue of diversification to better communicate with people outside Korea, demanding both the globalization and localization of Korean folk music.

Gwangju National University of Education professor Choi Won-oh pointed out that the range of research of oral literature should be extended to wider fields instead of sticking to the region, nationality and its people.

Along with the main theme, the convention will also feature the folk life of North Chungcheong Province, particularly its food culture. Documents called “Banchan Deungsok,” which describes the food culture of people living in Cheongju around 1910 will be introduced. The records include recipes of local dishes and the use of ingredients that invariably reflect the region’s natural environment and socioeconomic factors.

Research by Koo Mee-rae will also highlight the economic and religious life of Saha-chon near Beopju Temple in the region where village residents live under Buddhist influences. 
 
 

Restored Seokjojeon Hall to serve as museum for Korean Empire

This 1918 photo shows an audience chamber on the second floor of the Seokjojeon Hall built in a Western style at Deoksu Palace during the Joseon Kingdom (1392-1910). It was built in 1910 as part of modernization efforts by King Gojong. The Cultural Heritage Administration plans to transform it into a history museum on the Korean Empire by the end of next year following the restoration of the hall.                                                                                                 / Yonhap


The Seokjojeon Hall of Deoksu Palace will be reborn as the History Museum of the Korean Empire after a restoration project is finished by the end of next year, according to the Cultural Heritage Administration.

The Seokjojeon Hall, a stone house built in the Western style during the time of King Gojong (1852-1919), has been under restoration to its original state since 2009.

Costing more than 13 billion won, the project is focusing on rebuilding the interior and exterior structures mostly damaged during the Japanese colonial period (1910-45) and the Korean War (1950-53)

“The structure will be used to restore the historical value of the ill-fated Korean Empire which sought to be a modern, autonomous state,” Park Yeong-geun, an official of the administration, said.

The structure will be turned into an exhibition hall connected to Jungmyeongjeon Hall at the palace.

John McLeavy Brown, an accountant of the empire, first suggested the construction of the building in 1897 and then British architect John Reginald Harding designed the structure and it was completed in 1910.
 
 
This photo shows the three-story Seokjojeon Hall built at Deoksu Palace during the Joseon Kingdom (1392-1910)                                                         / Korea Times file
 
King Gojong moved his main residence from Gyeongbok Palace to Deoksu Palace in 1897 and changed the name of the state from Joseon to the Korean Empire.

To uplift the dignity of the throne, he extended the palace, having more Western-style structures built. Thus the palace has a mixture of traditional and Western-style architecture.

The building was misused and transformed during the Japanese occupation and the Korean War. Seokjojeon Hall was used as a royal museum in 1933 undergoing interior changes with its chimney being removed. In 1938, its gilt decoration on the walls was ruined in the process of transforming it into an art gallery. In 1950, exterior structures of the building were partially destroyed during the Korean War.


Kokdu Museum opens branch in Bukchon

The Kokdu Museum
Kokdu


“Kokdu,” traditional wooden figurines which were used to adorn a bier to drive out evil spirits for the deceased, can now be seen in Bukchon Hanok Village in Seoul.
The Kokdu Museum, which is based in Dongsoong Art Center in Daehangno, opened a new branch in a “hanok” (traditional Korean house) there last week, showing some 60 pieces of the antique figurines dating back to the Joseon Kingdom (1392-1910).
The Bukchon annex named “Kokdurang Hanok” (Kokdu with Hanok) is designed to show how kokdu can be exhibited in harmony with the traditional house and attract more foreign tourists who are interested in traditional Korean culture. The new museum offers not only the antique figurines but also hands-on experiences to visitors in hanok.
“In this area, many hanok close the doors as they are private residences and tourists can only see the exterior view of the hanok. But our museum is open to visitors so that they can look around inside the house and even touch and feel every corner of the house. The museum will be a new cultural complex and tourist spot in Bukchon,” Kim Ock-rang, director of the museum, said.


Ppened a new branch in Bukchon Hanok Village in Seoul last week. Some 60 pieces of antique figurines are on show in the traditional Korean house at the Bukchon annex of the Kokdu Museum. / Courtesy of Kokdu Museum

 
The antique figurines from the museum’s collection are on show — some on the shelves and others hanging on the wall and the ceiling to break the conventional display style which puts artifacts behind glass.
Kokdu takes various forms of human beings, animals or plants used as a means of decoration on the funeral bier. In the museum’s collection, the oldest extant kokdu dates back to the early 18th century. Human-shaped kokdu are designed to guide, protect, support and entertain the dead. Dragons and phoenix are the main motifs of the animal-shaped figurines as the mythical animals symbolize water and fire, wishing immortality and power.
The funeral bier was used to transport the coffin to the burial site and was traditionally believed to be a temporary dwelling place for the deceased. Ancient people believed that the dead are grieved while leaving this world for the other world.
The figurines with various facial expressions and gestures were made to protect the deceased during their long journey. Also, kokdu is comparable with angels in the West as it is believed to be a guardian for the dead during the long sojourn from Heaven to Earth.
The museum said that it will enhance the understanding of foreigners, who often tour the area, about the afterlife in ancient Korean society.
The museum holds some 20,000 kokdu, which have been collected over a period of more than 30 years by the director. It is located on the second floor of the Dongsoong Art Center with two exhibition halls, an education area and an art shop.
The Bukchon branch is open from 10 a.m. to 6 p.m. Admission is 3,000 won for adults and 1,000 won for children. For more information, call (02) 766-3351 or visit www.kokdumuseum.com.


Sunday, November 25, 2012

35,000 Lanterns Brighten Cheonggye Stream


A lantern festival is being held in the Cheonggye Stream area until Nov. 18.

The annual festival features a dazzling array of 35,000 lanterns along a 1.5 km stretch of the stream. They are lit daily from 5 p.m. to 11 p.m. The lanterns are presented according to four major themes including Seoul Fortress.


Singapore, the Philippines and Japan are participating in this year's festival to showcase their unique and exotic lanterns.

For the first time, the festival is displaying 200 promotional lanterns emblazoned with the names of stores situated near the stream, as well as messages wishing for the revitalization of the local economy.

Visitors can buy traditional Korean lanterns at discounts of between 20 and 50 percent compared to regular market prices.

Weight Watchers Should Avoid Too Much Dried Fruit


Demand for easy-to-store dried fruit is growing as single households proliferate in Korea. Supermarket chain E-Mart said sales of dried fruit rose 1.9 percent between January and October to occupy 9.8 percent of all fruit sales.

But experts warn that nibbling dried bananas, persimmons, cherries, mangos and raisins all day can lead to excessive calorie intake.

Dried fruits have high sugar and calorie levels as the water dries out and nutrition, fiber and vitamins increase. A fresh persimmon weighs about 160 grams and has 70 kcal, but a dried persimmon weighs just one-fifth of a fresh one at 32 grams but has 76 kcal. Much the same is true for other dried fruit.

Tuesday, November 20, 2012

SANGAI FESTIVAL 2012



 21 November 2012 9:00 am - 30 November 2012 9:00 pm at Hapta Kanjeibung, Imphal



The Manipur Sangai Festival is an annual calendar mega-event of the Government of Manipur spearheaded by the Tourism Department that seeks to showcase and promote the finest of Manipur’s arts & culture, adventure sports, indigenous cuisines, handloom & handicrafts, fine arts, indigenous games & music and various other niche products to a regional, national and global audience. This Tourism Festiva
l is held from 21st to 30th of November every year with the main event at Hapta Kangjeibung/Palace Ground, Imphal.

Although many editions of the Festival have been celebrated over the past few years, the Tourism Festival has been renamed as the Manipur Sangai Festival since the 2010 edition. This has been done to showcase the uniqueness of the Sangai or Brow-Antlered Deer found only in Manipur at the Keibul Lamjao Floating National Park in Loktak Lake and to further promote Manipur as a world class tourism destination.

During the Festival, the rich culture and mystique dances of Manipur are showcased at the fully air-conditioned Culture Auditorium. Indigenous Fashion Show, Rock Show and Traditional Musical Night are held at the Bhagyachandra Open Air Theatre (BOAT). Adventure Sports activities like trekking, caving and Para-sailing all over Manipur are promoted through various agencies most importantly Manipur Mountaineering and Trekking Association. More than 300 Stalls and a Food Court showcasing and marketing the indigenous arts & culture and various native cuisines are promoted at the Palace Ground. Indigenous Games like Mukna (Wrestling), Yubi Lakpi (Rugby), Arambai, Kang, etc. are promoted at the Khuman Lampak Sports Complex. The modern game of Polo (Sagol Kangjei), which owes its origin to this small State, is also vigorously promoted during the Festival. Moreover, over the years stalls and cultural troupes from other States of India and various other foreign countries especially from the ASEAN countries have been perpetually encouraged to participate in this grand Festival.

Sunday, November 4, 2012

E-Pao Picture Gallery Manipur Sangai Festival 2012 Awareness Campaign



Manipur Sangai Festival 2012 Promotional and Awareness Campaign Programme by Royal Riders, Manipur at Imphal Hotel, North AOC.
 Coutresy: e-pao.net gallery

Manipur Sangai Festival 2012 Awareness Campaign Programme by Royal Riders at Imphal Hotel :: 03 November 2012